Hannah Eaton portrait
Also by this author

Naming Monsters

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Shortlisted   —First Graphic Novel Competition2012

Shortlisted   —Graphic Scotland 9th Art Award2013

An adult Where the Wild Things Are, Naming Monsters is a warm, compelling graphic novel about a college student grappling with her emotions after losing her mother, but without knowing how to express them.

Fran is a keen amateur cryptozoologist – an expert in the study of animals that may not exist – and she can’t quite tell if the animals she meets are real or part of her imagination. But one thing is for sure: monsters are all around us.

The year is 1993, and we join Fran on a wild ride around London while she negotiates its real or imagined menageries.  Tales of strange creatures that might-have-been introduce each stage of her journey.

Fran’s adventure, often with her best friend Alex in tow, is a psychogeography of London and its suburbs – a picaresque graphic novel in which the grief of losing her mother is punctuated by encounters with her semi-estranged dad, her out-of-touch East London Nana, a selfish boyfriend, and the odd black dog or two.

Hannah Eaton shows in sensitive pencils and beautiful penmanship what happens when your emotions become personified by monsters, and how you can learn to live with them.

Alex Fitch talks to Hannah Eaton about her folkloric graphic novel Naming Monsters. Originally broadcast Monday 21st October 2013, on Resonance 104.4 FM (London): http://panelborders.wordpress.com/2013/10/21/panel-borders-spirit-animals-hannah-eaton-and-dan-white/

The Quietus

27 January 2017
Although this came out in 2013, I picked it up after seeing Eaton speak at a Laydeez Do Comics event back in November and then read it just after I submitted my best of 2016 top three for this column. If I’d read it before it probably would have made it in because this is a beautiful comic. Visually it is clumsy in places where in this debut graphic novel the artist over reaches a little in the depth and framing of her scenes, but the structure of the story is flawless and the poignant combination of text and imagery is breath-taking in places, capturing mundane moments that sit within the tensely wound space of the narrative with a heartbreakingly honest depth. The story is familiar, coming of age while dealing with grief and exam results, but that makes it very easy to empathise with protagonist Fran’s fragile grip on the last few days of her summer of denial. To distract herself from her own fears and loss, she obsessively catalogues mythical monsters, mainly from Celtic folklore but with a few international characters thrown in. These stories are separated from the main narrative by a difference in drawing style and medium, the scratchy ink of the monstrous segments compared to the soft pencil of the ‘real life’ segments seeming to suggest that these in their way are more real than the teenage girl’s experiences. But of course as the book goes on the styles as well as the perspectives of the two begin to intertwine, including a third painterly style reserved for dream sequence, leading to a satisfyingly cathartic conclusion. Not one for younger readers as graphic sex and horror imagery is here, but what tale of a 16 year old’s life would feel real without that?
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Kirkus Reviews

23 September 2015
With… deliciously unsettling details and the throbbing of her stacked, crosshatched lines shading images to the look of molded pewter, Eaton shows a great familiarity with the terrain of dread. One image—terrifying and almost totemic in its simplicity—shows Fran in a barren room, facing a darkly opening door. Near the end of the story, a pair of powerful nightmare sequences feels cut from the same cloth as the darker parts of David Lynch’s works—striking visuals, hauntingly concise language, and incantatory pacing. Yet cutting through the darkness and dysfunction are humor and hope. Eaton has a great ear for dialogue, and the Punch-and-Judy faces of her smaller figures have a folk charm befitting the work. Things spread a bit thin with the story ranging over teen angst, grief, wild grandmas, classism, drugs, divorce, explicit sexual awakening, pop culture, and the possibly supernatural, but an open heart anchors the work. A warmly off-kilter coming-of-age story that evokes more than it explains.
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Naming Monsters cover