In an exclusive article for New Statesman, entitled ‘Why Ayn Rand is still relevant (And dangerous)’ , Darryl discusses the argument at the core of his latest work of graphic journalism, Supercrash: How to hijack the global economy (read full article).

‘My book starts with Ayn Rand. I wanted to write about Rand, because I felt if I could understand her, I could get to the heart of what has gone wrong in Western politics over the past three decades, and at the same time, define my own beliefs more thoroughly.’

‘Why did I choose to add material to the new editions of both Psychiatric Tales and Science Tales, I hear you ask? It wasn’t a deliberate choice. It was a decision that came out of a series of events…’

Darryl talks to Joe Gordon at Forbidden Planet about the new, expanded editions of his graphic non-fiction titles.

In an interview with Indie Reader, Darryl tells of how he first broke into the world of comics.

‘I’ve always drawn, ever since I was a boy. I wanted to write. I had these two skills. It seemed obvious to me that I should combine the two things I enjoyed doing the most…’ Full interview here.

‘There is a prejudice, usually held by people who haven’t read one, that the graphic format is unsuited to tackling weighty subjects, but the form abounds with examples to the contrary… Far from being a frivolous medium, the graphic book is a great way of getting to grips with serious issues, Cunningham says. ‘It summarises things very quickly and you can plough through a lot of information. I love the simplicity of it.”

Darryl discusses the benefits of the graphic form, as featured in the Observer.